Monday, June 15, 2009

Conrad Hartz Visit

What a great visit I had today with my friend, figuremaker Conrad Hartz at his home in Beaufort, SC.

I had not seen him since the 2004 Vent Haven convention, so it was good to spend the afternoon with him.

I've been coming to Hilton Head Island nearly every year for the past 12 years for our family vacation.


View from our condo balcony-Click to enlarge

I can't remember how many times I've told Conrad I would try to stop by and see him.

I never had, until today.

We spent the afternoon sharing stories about vents we've known over the past 30+ years. He showed me a couple of completed figures he built recently.


Click for larger view

and even more interesting to me was being able to see one of his figure heads in the process of being built.


Click for larger view

Conrad shared with me how he assembles the basswood pieces, carves out the face and some of his "secrets" to installing mechanics and finishing the head.

I left a figure of mine with Conrad which he is going to make a dwarf body for.

We spent a fair amount of time on the topic of Howdy Doody and Conrad told me the story of Howdy and Bob Smith's visit to a "mini-convention" he organized in 1995.

And yes, Conrad did take me into his extremely well organized, brightly lit, air conditioned, large workshop.... .Riiiiiiiiiight. Here is a photo of his shop. Amazingly, he only needs 4 tools and a bandsaw to build his figures, so who knows what all the rest of the stuff in there is for...


Click for larger view

Hard to believe a figure maker with this much talent can create such beautiful figures in such a small space.

The "break away" marionette King puppet Conrad carved was amazing. I had no idea what he was going to do with it. This single puppet instantly turned into a Queen marionette and 4 "kids" all hanging from the original set of strings the King was attached to just a second before.


Before-The King-Click for larger view



After-This is the King puppet after it breaks away into
pieces, transforming into a Queen and 4 children-
Click for larger view


He also demonstrated a clown marionette that he had rigged with a clear piece of tubing going up to Conrad's mouth. This allowed the clown to be able to blow up a balloon. Clever.


Click for larger view

You can see more of Conrad's work here:

http://bellsouthpwp.net/g/k/gkoepke/hartz/

In my opinion (and many others), Conrad is one of the top figuremakers in the business. All hand carved out of basswood. 100% built, painted and finished by him.

He also is indeed a real gentleman and I only wish I had stopped by in years past. The afternoon went by much too quickly. Thanks Conrad.

Wednesday, June 10, 2009

New Bill DeMar Biography Video!

Just a quick note...

I've just released a new DVD biography of 60 year veteran professional ventriloquist, Bill DeMar.



Bill is one of the most talented vents and entertainers I've ever had the pleasure of knowing.

You can read about his new DVD here:

http://www.ventriloquism101.com/products/videos.htm

I'm leaving for vacation to Hilton Head Island, South Carolina on Friday and also plan on visiting master figure maker Conrad Hartz, who lives nearby in Beaufort, SC.




Another one of Conrad's creations

Wednesday, June 03, 2009

Jeff in Forbes Magazine - Wow...



Unbelievable.

Jeff continues into the stratosphere as the most popular comedian on the planet. Earlier this week he was featured in Time magazine. Today there is another great write-up about Jeff in Forbes.

Check it out here:


Jeff is almost single-handedly bringing ventriloquism back into the mainstream.

Keep rollin' on, my friend.

Friday, May 29, 2009

Jeff Dunham in Time Magazine



Just a quick post today. Jeff has taken another step into comedy superstardom.

He is featured in Time magazine the week of June 1st, 2009. After 30 years of hard work, Jeff is really hitting the big time. History is being made.

Pick up a copy of the magazine next week as a keepsake. You can read the article online here:

http://tinyurl.com/myuda8

Way to go, Jeff. Congrats!

Saturday, May 23, 2009

"Guitar Guy" Brian Haner



I'm sure most of you have by now heard of "Guitar Guy" in Jeff Dunham's show.

You may not know his name is Brian Haner. Brian is one of the best guitar players I've ever heard.

I've played guitar for almost 40 years (many professionally), but I am nowhere near his talent level.

Brian came into the spotlight on YouTube as part of Jeff and Achmed's song bit "Jingle Bombs."

Over the past couple of years, Brian has become a star in his own right. He opens for Jeff on tour and the two of them are pulling in 10,000+ people for their shows. If you have not seen Brian perform his stand alone routine, you are missing a great talent.

Plus, he has a "hook"that makes him unique. I mentioned it above. He is a premier guitar player AND an extremely funny stand-up comedian. He combines the two and just absolutely kills when he performs.

During his routine, he goes back in time and plays various hit songs from the 1960's to today and tags on very funny comedy dialog in conjunction with his astounding guitar technique.

I laugh as much at his set as I do Jeff's show. They make a great, hip comedy team. No wonder people are lining up to see their show. You get to see two headliner quality comedians for one ticket price.

Brian also has two great comedy products (other than his appearances on Jeff's DVDs). First, his comedy CD - "Cougar Bait." 13 great songs with a unique comedy twist. Hilarious! One of the funniest comedy albums I've ever heard.

Second, his book "Carney Man." A combination of humor and drama. Unusual combination (that's why I liked it), but a great story with a real twist at the end.

If you only know of Brian from his association with Jeff, you're missing a lot.

Check out Brian's CD and book here:

http://www.brianhaner.com/

I highly recommend them both.

I always tell people who are trying to get better at comedy to study really funny people. Don't copy them, but pick up ideas on technique from great comedians.

Brian falls into that category.

Friday, April 17, 2009

Creating a Demo Video - Part 3

Let's finish up with part 3 of how to create a demo video that people won't run out of the room screaming that they would rather see Cloris Leachman naked than watch your video.

In the previous two posts we talked about the technical aspects, equipment and techniques of shooting a good video.

In this post we'll cover some tips as to what you need to do as a performer and editor to have a finished video that will get you booked.

1.) When editing your video, keep it short. Your demo reel should only be between 5-8 minutes.

DO NOT put a full show on the demo DVD. No one wants to see your whole act in your first promo pack. If they like what they see in your short video, they will contact you to either request a full length video, or they will want to come and see your show in person.

2.) On your video, try to have some shots of the audience laughing. And, this needs to be real laughter. Do not edit laughter into your demo video. First of all, a client generally can tell if what you are doing on the demo is indeed funny or not. If you tell a stupid pun and the sound track is a roaring laughter, they'll know you faked it.

Second, if they aren't able to figure out it is a laugh track on the video, how are you going to explain the crickets chirping and tumbleweeds blowing across your stage area if they come to see your show in person and hear the same joke that got the huge laugh on the demo?

3.) Be sure you have a truly solid act. It's very easy to take a bunch of show videos that may have a lot of mistakes in them at different places and put together an edited version that makes you look great. Again, don't fake it with an edit. If they come to see you in person before they book you, you'll be toast.

If they hire you without coming to see you, they'll really be ticked if you ruin their event.

Even worse, since most people are generally non-confrontational and may not want to cause a scene after your show, they may not tell you what they really think. They might decide instead to just tell you quickly "nice show", give you your check and walk away.

You'll never even really know that they were not happy with your act - other than that they never book you again, tell everyone they know that you were bad and maybe even post a poor review of your show on the booking company's (if they used one, like Gig Masters, etc.) website.

If you do read a bad review about yourself on a booking providers website, you can be certain that those are their true feelings.

Have a good act!

4.) Have a nice presentation of the DVD you send. Have a nice color computer label on the DVD. Don't write on the DVD with a Sharpie marker. Don't laugh. I've seen people do it. Have a nice color DVD cover insert on the case.

Your demo video should make you look like a professional as soon as they take the DVD out of the mailer. It costs next to nothing to make a nice label and cover insert for your DVD on your home PC and printer.

5). Include some REAL testimonials of people who have seen and enjoyed your show, listed on a sheet of paper. Nothing, and I mean nothing, sells your show better than having a ton of testimonials from satisfied clients in the promo package.

To wrap up, the whole underlying point of these past 3 posts is to have a great act and to present yourself in a professional manner in everything that pertains to your show. Your act, your promo materials, your demo DVD, the way you treat clients are all part of being a professional - no matter what market you work in.

If you want to know more about how to promote yourself, take a look at this great course from full-time performer Ken Groves:

http://www.ventriloquism101.com/products/videos.htm

Good luck!

Creating a Demo Video - Part 2

Let's move on to some other tips for making a great demo video.

1.) Avoid zooming in and out excessively. This is probably one of the most frequent mistakes I see on amateur videos. ZOOM IN! ZOOM OUT! ZOOM IN! ZOOM OUT! Man, that's annoying (almost as annoying as reading ZOOM IN! ZOOM OUT! over and over).

Zooming in and out should be used very sparingly. Keep the camera zoomed where it should be and stay on that shot until the action on stage dictates that you need to zoom in or out.

When you do zoom, do so very slowly. Your goal as a person working the camera is to make the viewers NOT see all of the zooming and panning side to side. Your video should look smooth and steady.

2.) If you have the option to use manual focus on your camcorder, do it. Turn the auto focus off and focus your camera manually. Here's why:

When you have auto focus turned on, your camera wants to focus on whatever is being seen closest to the lens.

If someone walks in front of the camera, or you are in a room where people are smoking and smoke drifts in front of your camera, the camera will focus on the person in front of the lens, or will focus on the smoke. Then the camera will try to focus on you on the stage once the objects closer to the lens are out of the way.

This may take several seconds and the camera will drift in and out of focus during this time. This is another sign of an amateur video.

If you can focus your camera manually, zoom in to as close of a shot as you can (before you start the actual taping). Manually focus the camera. Now zoom out to where you want your shot to be. Keep the camera on manual focus, If someone or something now gets in front of your lens, the camera will not drift out of focus. It will stay in focus throughout the whole zoom-in range of the camera.

3.) If you have a manual "white balance" option on your camera, use it. Most consumer camcorders have some pre-sets for white balance, which is the way camera sees whites and adjusts colors under different lighting conditions.

Some room lights make your camera see a red tint. Other lighting causes a blue tint and still others, a green tint to your video. I'm sure you've seen this before on some of your videos when you've recorded in certain lighting conditions.

If all you have is automatic white balance or some white balance pre-sets (usually an indoor or outdoor setting), try them both to see what reproduces more accurate colors.

If you do have the ability to manually white balance your camcorder, here's how to do it.

-Find a piece of white paper, poster board, etc. and place it in the area on the stage where the light will be hitting you.
-Zoom your camcorder onto the white card until white fills up your screen.
-Push the manual white balance button on your camera.
-Your camera will make the white look white in whatever light you are in. If white is balanced correctly, all of the other colors will be correct as well.

There you have it. Some of the biggest "technical" things you can do to help you make a visually good looking demo DVD video.

As I mentioned in the last post, the MOST important thing is to have a good act! Be honest with yourself. Have others give you feedback on your show before you waste time (and perhaps money) putting together a demo. If your act blows, no video is going to help that. (unless you're Brad Pitt or Angelina Jolie).

Sunday, March 01, 2009

Creating a Demo Video - Part 1

Today let me offer you a few tips on how to create a demo video that someone will actually want to watch.

If you are wanting to get work as a performer and you desire to provide potential clients with a video, it had better look good.

What they see on that video is a direct reflection on your reputation. You may have a great act, but if no one can stand watching more than a few seconds of a video because it is so poorly produced, you've just lost that client.

I'm sure all of you have seen home made videos (perhaps you've even been guilty of making some like this) where the color looks bad, the image is shaky, the focus goes in and out, the audio is terrible, etc.

I see DVD's like that made by people and sent to me all of the time. Let's discuss how to avoid these issues and how to put together a more professional looking video.

My college degree is in television and film production, so I am hopeful that these tips will help you.

First and easiest is to hire someone that knows what they are doing when it comes to shooting and editing video.

It's a good thing that video camera prices and computer based editing equipment have come down in price over the years to make it possible for nearly everyone to be able to create a video.

However, just because one has a camcorder and software on their PC to edit video does not necessarily make one good at making a decent one.

There are general rules to follow...which most amateurs don't.

So, option one is to hire a videographer to create a finished, edited video for you, if you don't want to take the time to learn how to do it the right way.

This, however, can be expensive if you are on a tight budget.

The second option would be to go to a local college in your area that has video course offerings and hire a student who has experience. You can save a ton of money by hiring a student and they are always looking for projects to do for class credit. Plus, they usually have access to equipment they can use.

Using option one or two will probably give you a good finished video.

There also is the option of doing it yourself. I'll list some ideas that should help you make your own video.

1.) Have someone record your show for you using your gear.
Don't try to do this yourself by setting a camcorder up on a tripod with the zoom all the way out, pressing "record" on the camera and then doing your show with the camera in this one position and one wide shot. You need to have someone who can zoom in and move the camera side to side (panning) and up and down (tilting) as needed during your show.

2.) Make sure the person running the camera knows how it works.
Don't have someone operate the camcorder if they've never used it before. Show them how to operate the camera a few days before the recording and let them get comfortable with the camera.

3.) Use a "fluid head" tripod TRULY designed for video cameras.
Most all of the tripods you see at Best Buy or other consumer electronic stores (even though they say "fluid head" video tripod) are not really designed for video. They generally are only good for static shots. If you try to pan or tilt them, they jerk, shake and jump.

The tripod head movement should be silky smooth when panned or tilted, and should have different degrees of "drag" (how tight or loose the movement) you can adjust.

I have never seen a tripod at a consumer electronic store that I would ever use for an important video production.

You can get a nice Bogen or Manfrotto fluid head video camera tripod for around $300. Sometimes less on eBay.

Having a steady and smooth image on your video is one of the most important things you can do.

4.) Use a camcorder with an audio input and headphone connection on it.

Good audio on a video is as important as good video. The microphone built into most all camcorders is only good for sound pickup for a distance of about 6 to 8 feet. Beyond that, the microphone also starts picking up all of the ambient audio noise in the room and you'll have a hard time hearing what the performer is saying.

If you have a camcorder with an audio input on it, you can wear a wireless lapel microphone and have the receiver to that microphone plugged into the audio input on the camera and get fantastic audio.

Use the headphone jack and wear headphones to monitor the sound going into the camera. You should ALWAYS monitor your audio. There is nothing worse than recording a program (and not using headphones) only to find that the audio isn't there or it sounds like crap after the taping.

5.) You need good stage lighting if you are going to make a video recording.

FORGET all of the marketing hype you read about the "SUPER low-light camera! You can record in total darkness!!"

That, quite frankly, is mostly BS.

There is a huge difference between a camera that produces an IMAGE in low light and a HIGH QUALITY image. The ONLY way to insure a great picture is to have enough light on you. Yes, you will get a recording in very poor light with a low light camera, but it will be grainy and have poor focus and colors. Is that what you want to give to a potential client?

I will stack up a $500 consumer camcorder shooting in good light against a $10,000 camera shooting in darkness any day of the week.

I have a lot more to discuss. So, I think I'll post a "Part 2" to this soon.

Oh, and I almost forgot. The MOST important thing is to have a good act! Be honest with yourself. Have others give you feedback on your show before you put together a demo video. If you stink, no video is going to help that.